Katja Seib, Diva, Oil and Dip Dye on Canvas, 170 x 200 cm, 2016
Katja Seib, Stranger in Moscow, Oil on Hessian, 220 x 190 cm, 2016
Katja Seib, The Smell of Hollywood, Oil on Canvas, 160 x 160 CM, 2016
Katja Seib, If Not, Not, Oil on Hessian, 180 x 160 CM, 2016
Katja Seib, Cassino 2, Oil on Hessian, 200 x 135 cm, 2016
Katja Seib, California Dreamer, Oil on Canvas, 82 x 78 cm, 2016
Katja Seib, I Been Busy Thinking About That but, Kiss My Airs, Oil on Hessian, 77 x 76 cm, 2016
Installation view of Figure of Speech, Cassina Projects, New York, November 2016. Works by Katja Seib and Georg Herold
Installation view of Figure of Speech, Cassina Projects, New York, November 2016. Works by Georg Herold and Katja Seib
katja seib, coming and arriving, oil on hessian, 210 x 170 cm, 2014
katja seib, milk and honey, oil on hessian, 160 x 160 cm, 2015
katja seib, the slutmachine, oil on hessian, 135 x 135 cm, 2015
katja seib, don’t call me sir, call me survivor, oil on hessian, 180 x 190 cm, 2016
Katja Seib, girl leaving a ghost ship party secretly, oil on hessian, 150 x 150 cm, 2014
Katja Seib, If the truth hurts I pop pain pills, oil on hessian, 150 x 180 cm, 2015
About the Artist
Katja Seib (1989) was born in Düsseldorf, Germany where she lives and works. In 2009 she started her studies at the Düsseldorf Kunstakademie, graduating in early 2016. Since 2013, Seib studied in the MFA painting class with Prof. Tomma Abts.
Katja Seib’s paintings are complex and seductive; the coarse hessian fabric, that is her painting surface of choice, allows for a play of textures and hues integrated in the visual vocabulary of her art.
The artist’s painting process is quite labour-intense. Firstly, hessian cloth requires to be smoothened with several layers of rabbit glue and chalk. Then, Katja Seib mixes the pigments herself, to be in control of the thickness and degree of coarseness of the colours. This way, the artist is able to enhance her paintings narratives on a textural level as well; the balance between uncouth and dainty establishes the tension of these works and guides the viewer’s eye from one character to next.
Katja Seib paints exclusively in a figurative style, which allows her to develop alluring and mysterious narratives of desire and strangeness. The topic of dreams is extremely important to Seib. To her, the experience of dreaming offers to the individual a much needed escape from reality. Domestic settings coexist with bizarre situations; the everyday as much as the outlandish are flattened on the same surface and yet, there is a strange sense of deepness and space that allows the work’s existence to expand beyond the limits of their own frame; the contour of a body bustling in another room, a disembodied arm opening a door, or waving a feather, a cigarette’s smoke spiralling towards the ‘real world’.
- Figure of Speech, ARTUNER at Cassina Projects, 2016
- Imagine (Group Show curated by Tomma Abts and Alastair MacKinven), Londondonewcastle Projectspace, London, 2015
- Malerei Jetzt (Curated by Gertrud Peters), KIT Museum, Düsseldorf, 2015
- Alastair Mackinven Satoshi Kojima Katja Seib, Parkhaus Düsseldorf Gallery, 2015
- Overbeckstrasse, Galerie Fiebach Minninger, Cologne, 2014
- Boys on Paper Chicks on Speed (Curated by Tomma Abts), Parkhaus Düsseldorf Gallery, 2013