Diogo Pimentão

Component (mode), 2018

Paper and Graphite

124 × 58 × 22 cm

€ 3000 - 10,000

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Diogo Pimentao creates his visual work through abstraction and performance. Through the use of paper, graphite, graphite deposit, and adhesive tape he constructs monochromatic pieces, which appear metallic in structure and texture.

His investigation into drawings and the processes involved in draughtsmanship lead him to his final product. The boundaries between sculpture and image are repeatedly tested and railed against; paper is crumpled, folded, creased to create additional surfaces. The paper within this work is carefully bent by hand, so that it is no longer flat but takes on life in the form of a flexible, breathable three-dimensional sculpture.

Pimentao refuses to create a hierarchy between drawing and sculpture, rather the two fields are interdependent and work harmoniously with one another. This refusal to be defined lends itself to defamiliarisation, whereby the audience is disconcerted through their inexperience with form and medium. Pimentao’s use of graphite then becomes more than simply a tool or a means to an end but rather it becomes the subject itself taking over the flatness of the wall. Diogo Pimentao pushes the boundaries of what a “work on paper” inherently suggests and calls to mind. By challenging the notion of paper as a mere surface or “receptacle”; it becomes a building material in the production of meaning.

the artist

Diogo Pimentão was born in Lisbon, Portugal in 1973. Best known for his experimental works on paper, he received his arts education at Ar.Co., Lisbon, Portugal, 1998; Sculpture Seminar, Gotland, Sweden, 1996; and Centro Internacional de Escultura, Pêro Pinheiro, Portugal, 1995. Using mainly paper and graphite, at times in combination with charcoal, wood and concrete, Diogo Pimentão constructs forms that complicate the categorical boundaries between drawing and sculpture. His works on paper are formed from lengthy strips of the material that have been shaded with graphite; this thoroughly applied mineral imparts the surface with a metallic sheen. These shimmery sheets are then folded and layered to form structures that appear to be composed of welded metal as opposed to pencil and paper. When working with wood, Pimentão employs similarly illusive applications. One such method involves first shaping wood, and then shading its exterior with charcoal; The resulting works appear as though they have been scorched by open flames. Emulating the aesthetic values of Minimalist sculpture, Diogo Pimentão produces works that are notable for their inventive merging of medium and form. His works do not aim to represent extrinsic concepts, but rather entreat viewers to consider the materiality of their components. However, unlike the Minimalism of the movement’s forebears, in which, as Frank Stella famously noted, “What you see is what you see”, Pimentão's works are deceptive in their apparent simplicity. The culmination of an extensive and labor-intensive process of creation, Pimentão's works complicate this notion of minimalism. By transforming paper and graphite into sculptures that appear composed of iron or steel, Pimentão demonstrates the expansive potential of drawing-based media. His recent solo shows include exhibitions at Museu Grão Vasco, Viseu, 2016 and the Irish Museum of Modern Art, Dublin, 2015. Works by Diogo Pimentão are included in the collections of Fonds National d’art Contemporain, Paris; Pomeranz Collection, Vienna; Centre Georges Pompidou, Paris; and the European Central Bank. He currently lives and works in London.

Using mainly paper and graphite, at times in combination with charcoal, wood and concrete, Diogo Pimentao constructs forms that complicate the categorical boundaries between drawing and sculpture.

Diogo Pimentão
on Artuner

Part of the

June 1st, 2018 until
June 29th, 2018
Curated by ARTUNER