Paul Kneale

Organic Orgasm, 2018

Inkjet on Canvas

210.8 x 147.3 cm


Interested in purchasing this work?

Enquire

Additional Information

Accompanied by a certificate of authenticity.

We offer collectors a range of shipping options including a variety of specialist art couriers.
Please allow four to six weeks for the artwork to arrive after purchase.

Artwork
Description

Paul Kneale, born in 1986 in Canada, challenges the boundary between art and digital, creating artworks that intertwine the two. With his scanner paintings, Kneale addresses the growing presence of technology in the world, questioning the place of artistic representation in this new, digitised, era.

Kneale faced the novelty of this new, artistic time by experimenting with ordinary scanners: his artworks are overlapped impressions of the atmosphere in his studio, captured with open scanners multiple times, at various degrees of definition – from fast, low resolution, to slow, high resolution. The layering of these impressions generates what Kneale describes as ‘time sandwiches’ – an exploration of light and time through the eyes of the digital.

In this new series of paintings, exhibited as part of Compression in Brussels, Belgium, Kneale experiments with different techniques. The intermittent red lines cutting across the rainbow of colours, are the only indication of the use of a scanner, even though it was used consistently in the entire process. By virtue of his growing proficiency in using these consumer objects as means of artistic creation, Paul Kneale was able to achieve a painterly effect without ever using a traditional brush. In fact, he refers to the different scanners he uses as his own, unique set of paintbrushes.

About
the artist

Born in 1986 in Canada, Paul Kneale received his MFA from the Slade School of Fine Art (London) in 2011 and has been working closely with ARTUNER since early 2015.

Work by Kneale will be included in the forthcoming exhibition Peindre la Nuit at Centre Pompidou Metz (opening October 2018). Some of his latest scanner paintings were recently on show in the Contemporary Photography Forum exhibition of the Boca Raton Museum (Florida, USA). In the past year, his works have been featured in the Moscow International Biennale for Young Art, the Rubell Family Collection and at the prestigious Thetis Gardens in the Arsenale Novissimo (Venice), in a group exhibition on view during La Biennale di Venezia 57°. He lives and works in Toronto.

Paul Kneale is interested in how the world is constantly translated into a digital language which simplifies, trivialises and depersonalises content and the people it addresses. The artist explores the way in which digital facets of our existence can be manifested and reimagined in the flesh of the physical object.

The artist has been manipulating cheap scanners to generate a unique way of painting. Rather than capturing an image, the scanner creates an impression of the ambient light within the artist’s studio, bearing the abstract visual trace of the atmosphere surrounding the machine. The process is integral to his new works: the scanner paintings are built up from unique impressions and display multiple layers and striations often between transparent sheets and the colours resulting from varying light conditions in the artist’s studio.

The contrast between machines and their serial products results in what Paul Kneale defines as the “new abject”. In response to Julia Kristeva’s 1980 text ‘Powers of Horror: An Essay on Abjection’, the artist identifies a “new abject” for the information technology.

Describing today’s inherent revulsion for brand new materials, he pinpoints a disorientation in the consciousness of time and location, caused by our immaterial inhabitation of new technologies. This sentiment is embodied in works which often address, in original and innovative ways and media, the simultaneity and layering occurring in our ever-linked virtual existences.

Kneale, in an interview with i-D, defines the Internet as ‘a whole way of being in the world’. His practice aims at investigating the role of art in this new enigmatic dimension. Paul Kneale is an artist that explores the possible physical manifestations of the digital. His oeuvre reflects on the implications of algorithms and information flux. While these may seem very abstract entities, they constitute and shape our domestic daily environment.

To follow Paul Kneale and receive exclusive updates, click here.


Kneale is interested in how the world is constantly translated into a digital language which simplifies, trivialises and depersonalises content and the people it addresses. The artist explores the way in which digital facets of our existence can be manifested and reimagined in the flesh of the physical object.

 


Paul Kneale
on Artuner

Part of the
exhibition

May 3rd, 2018 until
May 31st, 2018
Curated by ARTUNER