David Czupryn

Trim a Tree, 2017

Oil on Canvas

180 x 130 cm


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Artwork
Description

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David Czupryn’s Trim a Tree is a painting of juxtapositions and linkages. In this work, foreground meets background, heaviness meets buoyancy, nature meets culture, and subject meets object.

The central structure is evidently a tree, but it is certainly not ‘organic’ in the usual sense. It appears to be composed, for the most part, out of marble which, although naturally occurring, must be sculpted into shape. The anomalous blueish branch resembles glass, a highly cultivated material made from molten sand.

A collection of objects hang to the right of the tree: tangled wires, a coat-hanger, wooden poles, a piece of rope. These mingle with the fragments attached to the black, stone backdrop: strips of tape, splattered paint, a Thomas Schütte self-portrait. Although this latter group of items must rationally be ‘behind’,they appear to occupy the same depth as the hanging objects. Together, all the fragments form a human figure: a face at the top, followed by neck, shoulders, ribs, arms, pelvis, legs, and feet.

Meanwhile, on the left-hand side, a balloon (designed by Xanti Schawinski) floats upwards. Tethered to the tree, it counteracts the gravitational pull acting on the hanging man.

As a result of all these coalescing opposites, Trim a Tree is both harmonious and deeply unsettling. The painting lingers in that uncanny space between the familiar, and the troublingly alien.

About
the artist

David Czupryn (b. 1983) is a German artist who recently graduated from the Düsseldorf Kunstakademie (2007 – 2015). He studied sculpture with Prof Georg Herold, and then painting in the classes of Lucy McKenzie and Tomma Abts. In 2016, he was the recipient of the 70th International Bergische Art Prize. He now lives and works in Düsseldorf.

Czupryn started his artistic career as a sculptor, with Herold and later decided to focus solely on painting: he stopped sculpting altogether and put all his artworks in a storage. For months, all day long, he would practice on painting techniques, trompe l’oeil in particular, as taught by McKenzie. There has been a turning point in his subject matter in 2012, when he saw a late Gothic grisaille painting of a sculpture. Then, he took his earlier sculptures out of storage and started portraying them in painting.

His technique is seamless: the ‘layer method’ employed by Czupryn is very meticulous and the brushstrokes result invisible. Indeed, the surface of the painting is very flat, while also conveying a sense of deepness and richness of the materials depicted. The synthesis of nature and industrially engineered materials is a very important aspect of the artist’s work.

In his surrealist paintings David Czupryn creates fantastic worlds, inhabited by humanoid hybrids and built with materials found at the intersection between nature, man-made polymers and imagination. His practice is mostly informed by a research of the uncanny, conducted from a mostly ‘visceral’ perspective. Indeed, although interested in psychoanalytical theories, Czupryn does not explore them in his works.

Surrealism and Metaphysical art (Salvador Dalì and Giorgio de Chirico in particular) are undoubtedly the first points of reference that come to mind when looking at Czupryn’s paintings. However, the artist’s most important sources of inspiration are the works of the photographer Diane Arbus and American artist Matthew Barney.


In his surrealist paintings David Czupryn creates fantastic worlds, inhabited by humanoid hybrids and built with materials found at the intersection between nature, man-made polymers and imagination. His practice is mostly informed by a research of the uncanny, conducted from a mostly ‘visceral’ perspective. Indeed, although interested in psychoanalytical theories, Czupryn does not explore them in his works.

Surrealism and Metaphysical art (Salvador Dalì and Giorgio de Chirico in particular) are undoubtedly the first points of reference that come to mind when looking at Czupryn’s paintings. However, the artist’s most important sources of inspiration are the works of the photographer Diane Arbus and American artist Matthew Barney.


David Czupryn
on Artuner

Part of the
exhibition

October 1st, 2017 until
December 16th, 2017
Curated by ARTUNER