Paul Kneale

Untitled (Parasol), 2019

stainless steel

Dimensions Variable


Interested in purchasing this work?

Enquire

Additional Information

Accompanied by a certificate of authenticity.

We offer collectors a range of shipping options including a variety of specialist art couriers.
Please allow four to six weeks for the artwork to arrive after purchase.

Artwork
Description

Paul Kneale’s work is often concerned with those sites where human inventiveness, creativity, nature, high technology and rudimentary technology come together, almost to the point of ironically collapsing onto themselves. In this artwork, Kneale nods to the commonplace solution – in street markets and beaches worldwide – of creating a concrete base poured into a bucket or shopping bag in order to stabilise a beach parasol.

Paul Kneale’s sculptural practice takes inspiration from the suburban environment that so many Northern Americans and Canadians live in and sees in it the essence of what he defines as ‘the new abject’, occurring in the most mundane settings: from parking lots to garden centres, from rooftops to billboards, and the limbo-like atmosphere of empty construction sites and garden tool sheds. Questions about the disposability of human ephemera feature also here: a reflection on hyperobjects – phenomena of such magnitude that human vicissitudes play against them – are central to his work. The transmission of data, man’s relationship to nature, and the horror-filled encounters with new, ubiquitous technologies develop into jarring sculptures that vibrate with the glow of uncoated neon halos.

About
the artist

Paul Kneale (b. 1986, Canada) received his MFA from the Slade School of Fine Art (London) in 2011 and has been working closely with Artuner since early 2015. Works by Kneale have been included in the exhibition Peindre la Nuit at Centre Pompidou Metz (October 2018), the Rubell Family Collection and at the prestigious Thetis Gardens in the Arsenale Novissimo (Venice), in a group exhibition on view during La Biennale di Venezia 57°. In Autumn 2019 he unveiled Flat Earth Visa, a site-specific installation for the hillscape surrounding the Palazzo Re Rebaudengo in Guarene (Piedmont, Italy).  Most recently with Artuner his works were exhibited as part of the online exhibition STUDIOSCAPES: 2021 and in 2022 he created a series of NFTs in collaboration with LiveArtX. He lives and works in Toronto.

Paul Kneale is interested in how the world is constantly translated into a digital language which simplifies, trivialises and depersonalises content and the people it addresses. The artist explores ways in which digital facets of our existence can be manifested and reimagined in the flesh of the physical object. The artist manipulates cheap scanners to generate a unique way of painting; rather than capturing an image, the scanner creates an impression of the ambient light within the artist’s studio, bearing the abstract visual trace of the atmosphere surrounding the machine. This process is integral to his new works: the scanner paintings are built up from unique impressions and display multiple layers and striations often between transparent sheets and the colours resulting from varying light conditions in the artist’s studio.

The contrast between machines and their serial products results in what Paul Kneale defines as the “new abject”. In response to Julia Kristeva’s 1980 text ‘Powers of Horror: An Essay on Abjection’, the artist identifies a “new abject” for information technology. Describing today’s inherent revulsion of brand new materials, he pinpoints a disorientation in the consciousness of time and location, caused by our immaterial inhabitation of new technologies. This sentiment is embodied in works which often address, in original and innovative ways, the simultaneity and layering occurring in our ever-linked virtual existences. Kneale, in an interview with i-D, defines the Internet as ‘a whole way of being in the world’. His practice aims at investigating the role of art in this new enigmatic dimension. Paul Kneale is an artist that explores the possible physical manifestations of the digital. His oeuvre reflects the implications of algorithms and information flux. While these may seem very abstract entities, they constitute and shape our domestic daily environment.

To stay up to date with Paul Kneale and the other Artuner artists, subscribe to the newsletter.


Kneale is interested in how the world is constantly translated into a digital language which simplifies, trivialises and depersonalises content and the people it addresses. The artist explores the way in which digital facets of our existence can be manifested and reimagined in the flesh of the physical object.


Paul Kneale
on Artuner

Part of the
exhibition

October 12th, 2019 until
October 30th, 2019
Curated by ARTUNER